Faux bois Wedding gift ❤️❤️#14

I was not happy with the results of last Thursday's work on the upper branches. The concrete was not sticking to the scratch coat. Afterwards I went through the past blog posts for this piece and this is not the first time I have had trouble with the cement sticking. I made note that the liquid part of the concrete mix was too old. Good to know, the best part of a blog is the documentation of the work. As a result of the old liquid the branches ended up lacking detail. That is what happens when one takes multiple year's to finish one project. Today's work looks better. It does have it's share of wormholes and I love wormholes. I am a sucker for any piece of old wood eaten up by worms. That is the beauty of old wood.

Wormholes and knots

Wormholes and knots

Below is a photo journal of the process.

Mixing the wet part of the concrete mix.

Mixing the wet part of the concrete mix.

Mixing concrete is very similar to baking, you have to measure every ingredient precisely and mix them in the correct order.

A sound concrete mixer is a must; hand-mixing concrete is just too physical. I love this machine. Behind the mixer you can see roots for future bronze pieces drying on the plant trellis

A sound concrete mixer is a must; hand-mixing concrete is just too physical. I love this machine. Behind the mixer you can see roots for future bronze pieces drying on the plant trellis

Fifteen minutes of mixing the dry ingredients.

Fifteen minutes of mixing the dry ingredients.

While I wait for the dry ingredients to mix I paint a bonding agent onto the scratch coat.

While I wait for the dry ingredients to mix I paint a bonding agent onto the scratch coat.

A close up of the white bonding agent after application.

A close up of the white bonding agent after application.

All branches are coated with the bonding agent and drying while I check on the cement mixer.

All branches are coated with the bonding agent and drying while I check on the cement mixer.

When you look closely you can see the fibers I put in the concrete last week. The fiberglass fibers help the new layers of concrete bind to the last coat.

When you look closely you can see the fibers I put in the concrete last week. The fiberglass fibers help the new layers of concrete bind to the last coat.

Just like in baking, you pour just a little wet ingredients in the middle of the dry ingredients.

Just like in baking, you pour just a little wet ingredients in the middle of the dry ingredients.

I clip a cardboard door to the mixer, to keep the dust down.

I clip a cardboard door to the mixer, to keep the dust down.

The mixer kicks up a lot of dust.Even before ppe was a thing, I wore a respirator and a head covering when mixing cincrete. There is nothing like shampooing concrete dust out of your hair.

The mixer kicks up a lot of dust.

Even before ppe was a thing, I wore a respirator and a head covering when mixing cincrete. There is nothing like shampooing concrete dust out of your hair.

Here the mix is starting to stick together and make marble and golf size balls. Ut us about 1/2 way ready.

Here the mix is starting to stick together and make marble and golf size balls. Ut us about 1/2 way ready.

Ready to start applying the concrete to the branches.

Ready to start applying the concrete to the branches.

First, I mix a little concrete with the white bonding agent and make a slurry. I paint the slurry mud into the branches to help the first coat stick. Then I wait for it to get tacky.

First, I mix a little concrete with the white bonding agent and make a slurry. I paint the slurry mud into the branches to help the first coat stick. Then I wait for it to get tacky.

Another detail look. Some of the fibers from the prior coat are still sticking out. That is ok, when I am finished I will take a small torch Abd burn them off.

Another detail look. Some of the fibers from the prior coat are still sticking out. That is ok, when I am finished I will take a small torch Abd burn them off.

My hydrating tent is getting a bit caddy campus.

My hydrating tent is getting a bit caddy campus.

Five more days of hydrating and then I pour the cement for the seat.

Faux bois Wedding gift ❤️❤️#13

Last Thursday while in Coronavirus 19 quarantine/social distancing I poured a top coat for the upper branches. I actually mixed all the ingredients over a year ago and then got caught up in making the pieces for my Hurricane Harvey Heroes exhibition 51.88” -Art of Resilience. The bucket of dry mix sat by the cement mixer untouched.

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The piece will hydrate for 5 days. If it dries too quickly the concrete will crack. I (actually we, Curtis helped me) build a cube out of pvc. I covered it in heavy sheets of plastic that I cut and sewed to fit the cube. I then installed two construction zippers to allow me to get in and check the humidity. I put a humidifier in the cube with the bench, the humidifier keeps the concrete very moist.

Today I started to prepare the dry ingredients so that I can mix the concrete tomorrow morning.

I prepared 30 lbs. of dry ingredients, 10 pounds of fly ash and 20 lbs. of white concrete. And then I panicked - is the piece in white concrete or is it in grey? With the fly ash mixed with the concrete and the piece being wet, I can not determine what color it is. Yikes! this is a problem. I decided to mix a second bucket of dry ingredients. Tomorrow I will be ready for anything.

Vote

SUFFRAGE - March 3, 1913 

Riding aside historically represents oppression of women's rights. Suffragette Inez Milholland rode astride in the 1913 ride/march on Washington. Inez was not only protesting for the right to vote, own property, to sue, but to also to ride astride. 

This is my first piece of work that addresses the women’s movement. It first resonated with me purely from an aesthetic point of view, as I knew the aged leather would reproduce beautifully in bronze. What I did not realize, however, was that this sculpture would represent more than a stereotypical Texas western symbol. In my women’s movement body of art it represents the strength of Victorian women and the beginning of the women’s movement

MARCH 3, 1913 - Woman Suffrage Procession -Inez Milholland10" X 20" X 30" bronze and distressed gold leaf 2014photo by Will Michels

MARCH 3, 1913 - Woman Suffrage Procession -Inez Milholland

10" X 20" X 30" bronze and distressed gold leaf 2014

photo by Will Michels

Bee fossils- inspiration

Studying our past is an incredible learning tool. With that in mind, I found the below article about the oldest bee fossil.

https://www.livescience.com/amp/4255-oldest-bee-fossil-creates-buzz.html

https://tmm.utexas.edu/sites/default/files/Amber%20Activity%202019.pdf

Coincidentally I just made a mold of a fossil for personal reasons. Reading this article is inspiring some new ideas that will involve the fossil mold and bees.

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Copy of SITE Gallery- Sculpture Month Houston - Installing the work#2

Things are now going smoothly maybe too smoothly. All the work I did this summer is paying off.

 

SITE Gallery- Sculpture Month Houston - Installing the work - my pregame plan

With lots of time spent preparing to install my work, installing it went by quickly.

During the days prior to the installation, I imagined trying multiple compositions of the pre-assembled sections, spending lots of time looking at it, adjusting it, and tweaking it and then adding smaller elements to tie the work together... and repeating the same process over and over until I was satisfied it was finished. That was my pre-game mental plan.

Once the support structure was in place, secure, and painted, it was time to install the work. First, I hung the two pieces I knew would be part of this work. I then looked at the way the shadows were falling on the concave surface of the wall and hung the two end pieces. It was then late in the day, and I decided to call it a day and decide what the next step was with fresh eyes in the morning.

The next day I showed up early in the day ready to sit, look and make changes that would be best for the work on the concave wall of a silo. I was excited to see the curator, Volker Eisele, in the parking lot when I arrived. I invited him to come take a look at my progress. 

Smiling he said, "You are done, it is finished." I was really happy that he was pleased, really happy. I was also surprised. Finishing this early was not my game plan. Yikes! It isn’t easy for me to mentally change my game plan. I think Volker could see this in my face, and as he walked away, he said, "You know my name is on this too, it is good." I completely understood and reminded myself how lucky I was that he liked it.

A good problem.🙂

ps. I now have the equivalent of another silo full of work in my studio………. bursting at the seems. Anyone need a keystone animal environmental installation?

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Packing the hanging pieces for transporting to the silos.

Last week I spent everyday packing and boxing the pieces I made this summer. I needed boxes they could hang in. Regular wardrobe boxes are not wide enough, so I made my own wardrobe style boxes to transport the sculpture pieces. I took two 30” X 30” X 30” boxes, stacked them and taped them to make them 78” tall.

Then I wrapped each element of each piece in thin plastic dry cleaning bags and kitchen zip lock bags. I don’t want any thing getting tangled. Each little section is in its own plastic cocoon.

Each small element bagged separately making bouquet of bee cocoons

Each small element bagged separately making bouquet of bee cocoons

Making my own wardrobe style boxes.

Making my own wardrobe style boxes.

My pieces hang from the top of the boxes. I needed something to support the top of the box. Southland hardware yard sticks were the cheapest thing I could find. I think they will work.

My pieces hang from the top of the boxes. I needed something to support the top of the box. Southland hardware yard sticks were the cheapest thing I could find. I think they will work.

My sculpture wardrobe boxes have doors.

My sculpture wardrobe boxes have doors.

The pieces in bags make awesome amnion shadows

The pieces in bags make awesome amnion shadows

7 boxes ready to go.

7 boxes ready to go.

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SITE Gallery Houston

Behind and attached to the Silos at Sawyer Yards

The lobby of the SITE Gallery Houston with the mechanicals of the grain silo in place. Just the coolest

The lobby of the SITE Gallery Houston with the mechanicals of the grain silo in place. Just the coolest

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Green marks the spot

Green marks the spot

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Sculpture Month Houston

In May I started seeking a space to exhibit new environmental, 4D kinetic sculptures. I hoped to use this new work as a start to an art installation inspiring conversations about topics I am very passionate about; the unexpected consequences of forcing natural processes into an industrial model and the complex relationships between humans, plants, and animals. 

The stars aligned in July when Sculpture Month Houston’s founder and curator, Volker Eisele, invited me to be one of the 19 artists asked to create a site-specific sculpture in the historic Success Rice Grain Silos behind the Sawyer yard’s artist studios. In the 50th anniversary year of man landing on the moon, this year’s exhibit title is Outta Space from the 2012 Van Halen album A Different Kind of Truth. Outta Space will combine two curatorial themes: one features work focused on environmental degradation issues and the other focuses on interpretations and explorations of Alternative Worlds as envisioned in the fantasies of the artists. 

I have passionately committed myself to this installation every day since July. My passion comes from spending my early years on a farm in west Texas, from my concerns regarding industrialized food and its effect on our health, from my love for historic buildings and, most importantly, from my desire to make an impact on the return of our most important keystone species. 

As a site specific installation artist my aspiration is to create a piece that is unique to the silo’s space and true to my work. My silo is a circular space constructed from cinder blocks, 18’ in diameter and spans 20’ in height. It has, in the center of the space a 10’ tall funnel suspended from the ceiling. There are a few old, large light fixtures, conduit runs vertical and perpendicular on the walls and there are three entrances to the space. I have three weeks to install the work that I have assembled to date. My mantra as an artist is “if I am not nervous to take on a new project then I am not stretching myself”. I am slightly anxious, yet happy to embrace the butterflies and honored to have my name listed among this year’s SMH artists.

In celebration of the opening there will be food trucks, a bar and music provided by Chapel In The Sky with projections by Michael Walrond - SHDWSOFDUST. 

OUTTA SPACE

Public Opening for the Exhibition 

Saturday, October 12, 6-9 pm

SITE Gallery Houston, 

1502 Sawyer St. Houston, TX 77007

(The multi-story building behind the artist studios facility).

https://glasstire.com/2016/11/04/the-problems-and-rewards-of-houstons-silos/

https://glasstire.com/2017/10/30/a-conversation-about-art-and-the-silos-on-sawyer/

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7 days left

7 days left to rip and wrangle rusted wire cloth, then delicately stitch the wire fragments into biospheres of frail and vulnerable abstract wild bees and organic shapes. Then coat hydro stone and cast shadows, to kinetically unveil the unintended consequences of forcing natural processes into an industrial model. Then pack, transport, unpack, install for 21 days, and open........ find more locations to install......... rinse and repeat.

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Tomato cage sculpture material

I ran to Southland hardware to purchase more wire cloth for my installation and spied some tomato cages. Wondering if they could add to my palette of materials I took home a few to play with.

Tomato cages

Tomato cages

Squish, squash, twist, turn, fold, pull, cut repeat

Squish, squash, twist, turn, fold, pull, cut repeat

Throw on a rip of charged screen for garnish

Throw on a rip of charged screen for garnish

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Play some more.

Play some more.

I ran out of time today but I feel like it might have some potential.

Glyphosate #7 (working title) kinetic sculpture - adding some details

In order to help the large abstract shapes read as botanical or floral shapes I have added some smaller botanical shapes and vines. I think they help. 

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hopefully this flower is abstracted enough but not too much. 

 

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Here is another  

Glyphosate #6 (working title) kinetic sculpture - hydro stone

Regarding the title today I am loving “impact” as a title, I will discuss more on that in another post.

 

On this day I made abstract botanical inspired  shapes out of a variety of materials. Then I whipped up some hydro stone and put a coat on the largest shape. The next day I started arranging the pieces into a kinetic composition. 

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botanical inspired small pieces. 

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the large piece covered in hydro stone 

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Above I am starting to connect the pieces.  

Glyphosate #5 (working title) kinetic sculpture - flower and 2 bees

I have not added the legs and wings to the 2nd bee. All the bees do not need legs and wings???????? 

When I add the hydro stone it will be easier to discriminate between the bees and the flowers.  

Below are two different compositions using the flower and the two bees. 

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Glyphosate (working title) mobile #1 - new body of work.

This summer I will be focused on building a body of work that addresses the impact that pesticides have on the bumble bees and honey bees.

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“Why conserve

rusty patched bumble bees?

As pollinators, rusty patched bumble bees contribute to our food security and the healthy functioning of our ecosystems. Bumble bees are keystone species in most ecosystems, necessary not only for native wildflower reproduction, but also for creating seeds and fruits that feed wildlife as diverse as songbirds and grizzly bears.

Bumble bees are among the most important pollinators of crops such as blueberries, cranberries, and clover and almost the only insect pollinators of tomatoes. Bumble bees are more effective pollinators than honey bees for some crops because of their ability to “buzz pollinate.” The economic value of pollination services provided by native insects (mostly bees) is estimated at $3 billion per year in the United States.”

 

 https://www.fws.gov/midwest/endangered/insects/rpbb/factsheetrpbb.html 

 

 Below is a still image  of a 4D/mobile piece I started last week.

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A dead bee without legs and very big broken wings. 

 

Here is a photo of the shadow.  The sculpture is photobombing on the right.