A few weeks ago Nash Baker took some in progress shots of my SMH piece. Then I had two weeks of off and on heat exhaustion. It is a rough summer to have an outdoor living sculpture and a piece that requires welding in a space that does not gave AC. I have finally replenished the minerals in my body and I am back to work on my bison. The temperatures are going to be extremely high this week to work outside. :(
Symbiosis art activism update - landscape ordinance.
One of my goals as an artist is to inspire city Landscape policy change. Our cities landscape policy evolved before we had the telescopes to understand the living systems below ground. It is Necessary to update these policies that regulate or urban landscapes and utilize the power of out native landscape.
I have made great headways with discussions with city council person Sally Alcorn. She has supported my work and thoughtfully listens to what I am saying. I can see in her face and her actions that applying these regeneration agriculture principles to urban landscapes makes sense to her. She has worked in the city government for many years and understands how the machine works. She does not have landscape policy roots in her background which actually is a good thing, she does not have to unlearn. In the last few weeks, I have facilitated connecting her with two people in the native landscape world.
First Linda Knowles has led the native plant movement in Houston and Texas. She served on the cities committee for designated wildscapes and she has let the Houstin native plant society and is leading the Texas NPS. Linda is a great source of knowledge and will be a great resource for Sallie.
A few weeks ago I emailed Jaime González. Jaime is Houston Healthy Cities Program Director of The Nature Conservancy Texas Chapter – Houston Office. Jaime is everywhere when it comes to Houston native landscape. Within 5 minutes of emailing him about “Symbiosis” he called me. He wanted to see the work. We met the following day at 8:30 am. It was not too hot yet and we had a great conversation. He was amazed at what a hot bet of wildlife can be revived in the middle of a lifeless concrete urban desert - the museum district. :(. He Specifically, positively commented that I did not leave spaces of dirt separating each plant. I could hear frustration in his voice. It is a social custom to separate species. My goal is to keep the soil covered with a minimum of 1 layer of greenery if not many layers. Hearing him approve was a relief. He also made some plant suggestions for the southwest corner. It was a beautiful corner until the lemon bee balm faded for the season.
Tuesday this week I was able to connect him with Sallie and Hannah Cobb Public Affairs Liaison Office of Council Member Sallie Alcorn City of Houston, At-Large 5. It was a great conversation and I know Jaime will assist Sallie's office with their plans.
Like Jaime, Sallie is a mover- I just received an email from her office that she is meeting with Kelli Ondracek on September 1st to discuss a native landscaping pilot program. A giant leap - this feels good.
can art active change? :) I am trying.
Endangered Knowledge: The Soul of Humus
Progress from the last two days of work.
Endangered Knowledge: The Soul of Humus
Ferlocks, hocks and nape
Endangered Knowledge: The Soul of Humus
Todays work- His right back haunch and leg.
Symbiosis- the tools of my collaborators
In creating a living sculpture, I have to accept change. I can not control the piece nor do I want to. From soil microbes to leaves, petals and butterflies, bees, skippers and caterpillars, I am always looking to the natural processes. I look to see what does the material want to make, what does it need to be. Competition, succession, disturbance, consumption are the sculpting tools of my collaborator, characteristics of the work. I have to let them follow their path to self-design their regenerating community. I bend my creative processes to the design principles developed through the ages on this planet for this place and time. The time is right to change how we landscape. I believe Houston is the right place and Houstonians the right people to plant the seeds.
Endangered Knowledge: The Soul of Humus
Endangered Knowledge: The Soul of Humus
20’ more of rebar.
Endangered Knowledge: The Soul of Humus
Another big day of welding..I added a big 96” circumference chest. Put the entire piece on four dollies and started his hump. Below are a few pics from todays work.
Endangered Knowledge: The Soul of Humus
July 5th.
Attaching the head—
I welded just one connection from the neck to the head. As I assemble other parts of his body I will continue to evaluate the position of the head. I want him to be his reaching to the side searching for the next blades of grass within the reach of his massive head and tongue. With only one weld I can easily cut it off if I decide it is not in the right place or at the right angle. I do enjoy having a bobblehead bison in my garage for a while.
Building the girt—
I happened to have a circular scrap piece of rebar almost the right size. I created it years ago to be a round seat for a faux bois chair that was started and not finished. I turned it into the basis for the bison’s rear hip girth/stomach.
It is a little small, the small size gives me the flexibility to add to it exactly where I want it to protrude. As I get more elements worked out I will make it larger by adding the back hip bones that protrude. t is a lot easier to add pieces as I build him than to cut out pieces.
Endangered knowledge: the Soul of Humus.
SMH fall of 2020 was canceled due to Covid 19 last July of 2020. I put a halt on welding my piece and focused on planning “Symbiosis.” “Symbiosis” is installed the Big Show is opened which provided a tremendous amount of traffic. I will still check on it every day, but I will spend most of my day building my piece for SMH 2021. Today I started where I left off. Below are images from last year's work and blog posts.
My bison will be in motion not standing still.
Endangered knowledge:The Soul of Humus
I dried some cosmos leaves to us as the coat of a sculpture that is in the works - Endangered knowledge: the Soul of Humus. The piece will be in the #sculpturemonthhouston 2021 exhibit. I started the armature during COVID for the SMH 2020 exhibit, which was postponed. The sculpture looks at the ecological history of the coastal prairie. This texture is perfect #cindeeklementart #endangeredknowledge #coastalprairie #tezasart #houstonart #bioart #environmentalart #cosmos #art #sculpture #bison
There are bees that have not been seen since the 60’s that are not listed as endangered.
After reading the document that listed Bombus Affinis as an endangered species I formed my own opinion by and it does not reflect well on the chemical industry.
The bee that pollinates tomatoes is not the honeybee.
Summary from sciencedaily.com
The yield and quality of many crops benefit from pollination, but it isn't just honey bees that do this work: bumble bees also have a role. A team has used innovative molecular biological methods and traditional microscopy to investigate the pollen collecting behavior of honey bees and bumble bees in agricultural landscapes. It turns out bumble bees take much more pollen from different plant species than honey bees to satisfy their need for protein.
bumble bees are superior pollinators of tomatoes than the honey bee. The southern carpenter bee also pollinate tomatoes.
Turning back the evolutionary clock evolution in urban neighborhoods
4" X 13" X 8"
bronze
photo by Nash Baker
The sidewalks in my neighborhood are my nature trail. I walk with my eyes on the prowl for intriguing insects, exoskeletons, insect wings, feathers, dried flowers, twigs, leaves, seeds, and pods — things my children’s eyes taught me to find during our walks together over the years. Since 2013, these biological mementos have found their way into my bronze work in the molds of nests. Each piece is a reflection of that year’s ecology and records the time and movement of environmental restoration.
Initially, I was unaware of the landscape around me, but as my art dove deeper into environmental restoration and Hurricane Harvey changed our city, I realized that my days are, in fact, full of sterile surfaces. With COVID-19 quarantine, children in my neighborhood started venturing outside and looking for things to capture their curiosity. Delighted with their new interest, I realized that the green spaces and puddles children explore now are no longer filled with a diversity of life; the box turtles, bullfrogs, tadpoles, bumblebees, and assortments of flitting insects have evaporated with the spray of insecticides and herbicides in our neighborhoods. The selection is reduced to cicadas, the common beetle, honeybees, a rare native bee, and an abundance of Cuban lizards that dwell in turf grasses, boxwoods, crepe myrtles and oaks. I have awakened to cultural landscape uniformity. COVID has changed how I see the need for perfect lawns; the dirty truth is mosquito home-misting machines, obsessive weed control, artificial turf and a lack of plant diversity have turned urban neighborhoods into manicured monocultures for humans exploring video games. These habitat changes in massive population centers are fast-forwarding evolution: loss of wildlife habitat is one of the biggest threats facing many animal species. This does not have to be—it is a societal choice, the ability to speed up evolution can go both ways. Through my works – Lawndale’s Symbiosis, Endangered Knowledge: The Soul of Humus, Gust, World of Hum, Rumblings and Root to Water—I am committed to creating work that educates and helps communities change how we landscape our cities to include valuing the natural world and turning back evolution.
In Dirt to Soil, Gabe Brown quotes Don Campbell, “If you want to make small changes, change how you do things, if you want to make big changes change how you see.” When I come across intriguing flora or fauna on my urban trail, albeit few and far between, I see them as evidence that can inspire a revolution in the landscape. If they are expired and will not decompose, I collect them. I see these bronze cast nests as urban wildlife fossils—biographies, every year a chapter recording Houston's environmental awakening. As an optimist—environmental—art—activist my work focuses on revealing endangered knowledge to change how we see urban landscapes and activate cooling the planet through our cityscapes. As migratory birds return year after year to build nests and raise their young, I return with optimism in my step. I envision witnessing the return of four hundred plus butterfly species and eight hundred bee species native to Texas. I can see this returned wildlife capturing my future grandkids' imaginations. I will tell them the story of how insects almost disappeared and how every yard is a micro-ecosystem and matters. I imagine their hands building nests with a diversity that I cannot imagine. I hear their voices telling me in one breath about the fuzziest-biggest bee they ever saw, covered in golden dust nesting in a patch of ground beneath the sunflowers not far from the silverleaf nightshade. I see them bringing me a tail-feather from a Red Shoulder Hawk and asking, "what does it hunt" and is it the bird that sounds like the squirrel's screech. After a rain, I see them finding two bullfrogs attached and their tiny ribbons of floating eggs in a pond. I hear them tell me not to touch the caterpillar of the southern flannel moth, and asking me, “how does it sting?”. At the low of evening when dragonflies hover; I will watch as they study the night heron’s quiet solitary stance as it stalks small citizens of the grass, I will smile as they question the raucous warnings of ravens and the scoldings of nut collecting squirrels. I will feel their excitement when neighborhood raccoons appear from storm sewers and scavenge treats from dog bowls and opossums waddle fence lines, searching out grubs and open garage doors. I will follow their eyes when the silent patrol of the lone coyote visits the shadows of our boulevards from their bayou bound dens. I let them sleep outside and hear their heavy eyelids ask, why do the owls ask who? I listen as they wake up to a concert of white-winged doves. I will feel peace when they are wise to nature.
Lawndale Art Center - symbiosis
In a nutshell, this is what I hope to achieve with my site-specific piece, Symbiosis.
Lawndale’s Symbiosis - constant research
Symbiosis is a long term art installation. A piece of dirt in the middle of a large US city, an ecosystem that serves the local art community. Through pairing my intuitive sculptural practice, and natural history research I am sculpting the garden into an ecosystem that balances the needs of the Homo sapien art community and the urban natural world. I spend much of my time filtering through biologist research, inspirational documentaries and interviews of individuals that are leading the way. New Year’s Day I listened to a remarkable podcast an interview of Nora Bateson who is an award-winning filmmaker, writer and educator, The podcast was taped before the pandemic. She knows what she is talking about. Here are two quotes from the podcast that gave me pause and reminded me how grateful I am for my opportunity to make a difference through Symbiosis at Lawndale
“ In my little fantasy there is a great big pause button, and we can say hold everything, let’s regroup, let's turn this titanic around”
“One way or another the systems that we are within are going to change.”
A very enlightening podcast regarding how change and regeneration happens. It is haunting to consider this came out before the Covid 19 quarantine of 2020. Everything Nora talks about addresses the things I am thinking about. She is most definitely an influencer. I will continue to follow and monitor her work.
You can find the interview at The Regenarration podcast on Soundcloud Solve Everything at once.
Subterraneous Secrets - how plant roots communicate with microorganisms
Lawndale symbiosis - milkweed and monarchs
I have read that a few migratory monarchs spend the winter in the Houston area and join a small resident population of monarchs. I have also read that it is essential to choose native milkweed as opposed to tropical. Tropical milkweed—doesn’t die back in the winter as native milkweed does. When a place to lay their eggs year-round is available, many monarchs don’t bother making the trip to Mexico.. I saw this caterpillar on my morning walk. It was seriously munching on the milkweed. Milkweed is the only plant that provides the nourishment that will transform the caterpillar into a monarch butterfly. It is important to plant only none-hybrid native milkweed. Texas milkweed will be included in my 2021 Lawndale Art Center Sculpture garden piece Symbiosis. In Symbiosis, I am stretching my practice and creating a living piece of site-specific art activism that will reimagine a 53.5’ X 48’ traditional urban landscape/sculpture garden and answer the question: how do we holistically restore an ecological balance in Houston? Symbols is a collaboration with Lawndale Art Center’s community, neighbors, urban wildlife, and the coastal prairies' carbon cycle. For more details see this link.
#carboncycle #cindeeklementart #texasart #houstonart #contemporaryart #modernart #caterpillar #monarch #milkweed #nativeplants #migration #energy #movement
#lawndaleartcenter #symbiosis #artactivism
The beauty of a leaf runs deep.
How beautiful droplets of dew or rainwater puddle on the waxy leaf surfaces? They provide the watering holes for nature’s tiniest creatures.🐞🐛🕸️🦎🐌🐸🐜🦋🐝
What do you see when you see a leaf? ☘️🌿🌱🍀
I see a unique natural system. Leaves multi-functioning as micro reservoirs, coats of armor protecting the soil, and micro floodgates slowing rainwater. 💦🌊💧
On the Coastal prairie, leaves function to protect the soil from being compacted by the pelting raindrops. If the heavy raindrops fall is not broken by layers of leaves and organic matter, the tiny cavities in living soil collapse, and rainwater moves horizontally across our landscape instead of into the tiny reservoirs in the soil. We need these small cavities to allow water to penetrate deep into the soil. Leaves also slow rain droplets giving the soil time to transport the rain to its deepest roots. Once the rain is in the ground cooling our planet leaves protect the soil from the heat of the day. This multilayered ground cover gives rain more time to trickle into the aquifer. Purifying our water and cooling our planet. How amazing are leaves? As an artist my how we see urban landscapes
My work records endangered knowledge to the collective memory and reimagines urban landscapes to holistically balance the needs of humanity and wildlife.
In Symbiosis I am stretching my practice and creating a living piece of site-specific art activism that will reimagine a 53.5’ X 48’ traditional urban landscape/sculpture garden and answer the question: how do we holistically restore an ecological balance in Houston? Symbiosis is a collaboration with Lawndale Art Center’s community, neighbors, urban wildlife, and the coastal prairies carbon cycle. #symbiosis #lawndaleartcenter #urbanlandscapes #artadia #coastalprairie #water #leaves #conservation art #bioart #nature #contemporaryart #modernart #artactivism #cindeeklementart #texasart #houstonart