Echoes of Existence-how to engage the students

I am slowly working to find solutions to the problems that will arise when the students implement the installation.

First, how to get students that are not comfortable with nature to want tobe involved. What will draw them in?

Second, a big problem is how to control a group of college kids in a field and have them complete a detailed installation.

Bloomington is a walking city. Every day as I would walk about town and the campus I worried about how I was going to solve these two problem. And like on most college campuses everyone is in their own audio visual world contained between the ear pieces of a headset. And I was the same. The difference was I still wanted to connect to those passing by me with a “good morning” or hi. I found the IU students were very focused on the sounds in their headsets they did not need to make eye contact or say hello.

In a discussion with an English professor, Shannon Gayk, who also teaches a walking class, I learned that a novel idea for students is silent walking. The idea of walking without a headset without sound — silent.

Thinking of headsets and silent - my mind went straight to silent raves then to a silent installation.

Would the concept of a silent installation draw the students in. Could this commitment to headsets be a possible tool for crowd control during the installation?

I love the idea. But that leads to another hurdle. How do I design a silent installation? What technology makes this possible?

With a quick Google search, I found several companies that provide everything you need for a silent event.

IU - Exploring the Intersection of Art and Humanity To Tackle Climate Change? Insights from Artists Miles and Melanie.

"If you hit a wrong note, it's the next note that you play that determines if it's good or bad." — Miles Davis

In humanity's quest to harmonize natural processes with industrialization and tame the beast of extreme climate, I consider problem-solving approaches from my artistic practice and the artistic world.

As a master of improvisation Davis embraced musical mistakes as valuable chances for growth—an approach we can apply to all aspects of life. How we respond to so-called errors ultimately shapes the final outcome. Humans have the unique ability to transform something "wrong" into something "right."

How does this apply to our environmental issues? Consider that as a species homosapien is a young species. Having thumbs instead of hooves our brains have evolved to create, and invent, to problem solve to make us not mammalian beasts but human.

Mountain Moving
On exhibition in the GRUNWALD GALLERY of ART IU.

The artist Melanie Cooper Pennington teaches Sculpture at Indiana University.

One of homosapien’s greatest inventions is industrialization. We are now clearly seeing and feeling the impact of industrialization on our ecosystems. The most important question humanity has to answer is — will industrialization be a “bad” note?

By adopting Miles’ mindset, we can discover new and innovative ways to address climate change and find harmony between nature and industry. As an eco-artist I consider problem solving perspectives that I use in my creative practice to visualize and transcend conventional thinking to create a better world.

I am engaged in an artist in residency program at Indiana University direct by the Arts and Humanities Department. The university recently launched an Environmental Resilience Institute, as well as a new A&H laboratory dedicated to Environmental Futures. They created a research platform to allow arts and humanities scholars at every level of education—to connect.

My first visit at IU was with Melanie Coooer Pennington. Melanie, creates mammalian sculptures to investigate the borders between the human/animal body and its psychological states. Melanie’s work provides an emotional visual to the power of thumbs by replacing them with hooves. Thumbs changed everything.

I saw Melanie’s Mountain Moving, thought provoking sculpture the day I started writing this post about Miles Davis and his creative process.

I believe through art and culture, we can move the industrial mountains facing humanity — our next note can create a masterpiece.

Peck + Scratch

Peck + Scratch Installation

Eight chickens and two roosters were installed in Symbiosis, April 1, 2023, from 11:00-5:00

 There's more than eggs when it comes to urban chickens. Peck and Scratch is a throwback to when every family had a symbiotic relationship with these quirky feathered friends. It was common knowledge that chickens are miraculous energy transformers; they effortlessly clean up weeds and bugs from living soil while providing families with a more sustainable and cost-effective alternative to chemical pesticides and herbicides. Plus, their waste is invaluable - it replenishes the soil with much-needed nutrients for plants to thrive. In addition, the protein-packed eggs they lay contain all the amino acids necessary for promoting brain health for early childhood development.

By offering a cozy environment, refreshing water, and a lush habitat, we're showing gratitude towards our curious and joyful friends and providing them a safe home away from potential harm. Instead of supporting factory farms, our chickens deserve to thrive in an ecosystem filled with living soil and all the essential components they need to lead happy, healthy lives.

It's time to think outside the (takeout) box and invest in the power of urban chickens.

CARBONsink rises — how to get rid of your turf grass.

“Carbon by the Yard” was a temporary relief in the shape of the Carbon element symbol, “C”. This simple gesture brought attention to the fact that gas lawnmowers emit eleven times the emissions of a new car.

Carbon by The Yard

In 2022, I transformed “Carbon by the Yard” piece into “CARBONsink ” using solarization and regeneration instead of herbicides to transform the turfgrass into biology. I then seeded it with wildflowers. The new piece soaks up rainwater, stores carbon and supports pollinators.

It is important to note that the EPA estimated that non-native turfgrass monocrops use one-third of all public water. In the US, this translates to 9 billion gallons of water daily.

These two social sculptures highlight how our colonial landscape decisions impact our carbon footprints.

CARBONsink 6/8/2023

DIY- check out the steps to install your own CARBONsink.

Soak the ground.

Use the power of water in conducting heat into the plot. Proper hydration will pull heat from the surface deeper into the soil, enhancing the effectiveness of solarization.

Cover the soaked turf with two layers of cardboard. This will smother the turf grass and use the suns energy to solarize it.

Soak the cardboard layer

Layer 4”- 6” leaf mold compost. I use Nature’s Way Resources and Heirlooms.

Spread the compost evenly .

Soak the compost , and level it for sprinkling the seeds.

Sprinkle seeds generously.

The seeds come from Native American Seeds.

Make sure the seeds make good solid contact with the ground. Press them in.

April 2023

June 8,2023

July 29, 2023

What cave paintings from 25,000 years ago can teach us about regeneration.

This morning I read Mysterious marks on Ice Age cave art may have been a form of record keeping in science News.

The marks left in a cave 25,000 years ago illustrate the wisdom of early hunter-gatherers. Even then, these people were knowledgeable about their environment and respectful of nature's cycles; understanding that taking too much from one place could lead to decline. Nowadays, we can look back at this example as an invitation for modern civilization to take up sustainable living practices—regenerating our resources instead of simply consuming them without thought or consequence.

I spend a lot of time thinking about the question, how do we mimic regeneration in our cities? We have to ask, What can we learn from Earth’s earliest environmentalists? A lot.

Symbiosis - relationship 8/2022

Orange blister beetle and

Orange blister beetle and Ratibida columnifera

prairie cone flower. The beetle eats problem insects.

Gulf fritillary butterfly's mating and green anole ruins the mood.

Xylocopa virginica, the Eastern carpenter bee has evolved to the exact height to Maximize pollinating Passiflora incarnation. This relationship is one of my favorites in Symbiosis.

Soaking wet American bumble bee (endangered bee) using a Missouri ironweed leaf as an umbrella.

black mud daubersa, is a solitary wasp. This female his hunting for caterpillars to provision her mud nest. Plants recognize the vibrations of caterpillars chewing. This causes the plant to send out pheromones to attract wasp to keep the caterpillars down. She seems frantic.

Ascra bifida, exploring crabgrass and Marsh Fleabane (both volunteer plants) hunting for moths, caterpillars, harmful beetles, aphids and other pests. They are valued citizens in “Symbiosis”. Oddly there is very little online about this sweetheart of a stink bug.

American Mockingbird and American beauty berry.

On the left side of the image perched atop the dead olive tree a Mockingbird searches for insects. Camaflouged by the orange trick background a juicy dragonfly flies into to the upper right corner of the frame and catches the alert Mockibgbirds attention.

Cyathus stercoreus

Dung-loving birds nest fungus also known as splash cups.

Cyathus stercoreus

Dung-loving birds nest fungus also known as splash cups.

When a raindrop hits the cup's interior, the peridioles are ejected into the air tearing open the purse. In the lower part of the purse, the coiled funicular cord expands. The peridioles, followed by the sticky funicular cord and basal hapteron, land on a nearby plant stem or stick. Flying through the air, the line wraps around the plant's stem. The peridiole remains attached to the vegetation. In a natural setting, a grazing animal may eat it and later deposit it in that animal's dung to continue the life cycle. This amazing amazing creature breaks down dung, and captures raindrops.

Brown Anole

The ESTERN CARPENTER BEE AND PASSIFLORA INCARNATA

A dragonfly lays eggs in the still water of a trough pond. Her nymphs keep the mosquito larvae in check and are protein for the Texas mosquitofish.

Symbiosis - The first anniversary and a feisty or rebellious future.

What would the next twelve months look like?

A two-year-old can be feisty, or would it be more like a rebellious teenager coming into its sexuality?

April of 2021, I started installing the plant material in “Symbiosis.” Seeing, hearing and smelling the transformation has been a gift. This past spring marked the first anniversary. This post celebrates the relationships and natural systems I have documented from the first anniversary through mid-August.

Keep in mind that in the summer of 2020, when I agreed to install a site specific living sculpture, I went every day to observe the space. Sitting and looking — observational research is a big part of my work.

How did it function in the ecosystem? The mowed nonnative zoysia turf grass was neat within its “borders.” The nonnative shrubs and plants were in aligned rows amongst compressed dirt and it was static. As the summer days warmed the bare spaces, the rising heat never created any movement in the garden. It was designed in rows and easy to maintain with gas-powered mowers and edgers. The first soil test revealed that the garden was void of life. The lower food chain of earthworms and grubs was absent. That explained why the birds flew by without landing. There was nothing for them to forage or seek shelter from predators.  It did not soak up much water and sequestered little carbon. Lawndale’s Sculpture Garden was a dysfunctional plot of earth. It was green but not part of the coastal prairie ecosystem.

In a sea of Midtown asphalt and groomed properties in April of 2021, I questioned; would any wildlife find the small space? Failure was possible.

Nature was undeniably resilient in year one. Symbiosis was a living sculpture, a functioning part of the coastal prairie and the New World. The installation was not land art; it was a living ecosystem. It regenerated life.

 

On Mother’s day after the first big rain, the pond was full of white green treefrog eggs. The relationship between amphibians and clean water and important in building the lower food chain and keeping it in balance. for more details see the post Symbiosis — Green Treefrog Eggs.

Cricotopus rests on the Lawndale Art Centers building. This image is symbolic of a nonprofit art institution’s commitment to it's relationship with the natural world. Hopefully it will inspire others.

Large carpenter bee on a trumpet vine bloom.

Mutation of a rudbeckia hirta. A reminder that being different is beautiful.

the chemical free trough pond provides a habitat for toads to mate and leave their eggs. The tadpoles in return eat algae keeping the water clear and mosquito larvae. #social sculpture.

White-striped longtail enjoying a Rudebeckia hirta bloom.

Anole asserts his dominance on the trunk of a dead olive tree.

Ischnura hastata Citrine forktail on a frogfrut leaf.

Blue dock beetle enjoying the nutrition of a volunteer plant.

Spilosoma Virginia on a Rosinweed sunflower leaf.

Cricotopus Non biting midge on Rosinweed leaf.

Hippodamia convergens convergent lady beetle, on a volunteer plant.

unknown - But interesting

Celithemis fasciata and frogfruit.

Native bee _________ and Rosinseed sunflower.

Repipta taurus , Red bull assassin bug and painted blanket leaf.

Dolba hyloeus pawpaw sphinx and fall bedient plant

the perfect match a native carpenter bee’s body has evolved over the ages to fit the Passiflora incarnata perfectly.

Skipper on a dried volunteer plant.

Libellulidae- skimmer and docks. I often find skimmers perched on this past dried docks. They have a strong bond.

Mockingbirds and toads.

Mother Mockingbird feeding juvenile a tiny toad.

Juvenile Mockingbird perched on the manmade fence.

great blue skimmer (is a dragonfly) and the spent thimble flower.

2 Leafcutter bees mating.

2 Leafcutter bees mating and a spent painted blanket bloom.

Atalopedes campestris (called sachem in the United States and Canada) is a small grass skipper butterfly and frog fruit.

Another view

Hemiargus_ceraunus and frogdruit.

Umbrella paper wasp and spent sunflower.

Paper wasp and passion flower. PLANTS CALL WASPS TO THE RESCUE WITH AN AROMA THE INSECTS LOVE. This is a special relationship.

More (green eyed) leaf cutter bees mating again on spent painted blanket bloom.

Male Eastern Carpenter bee- check out those big green eyes and fall obedient plant.

Sphex Digger wasp. On passiflora incarnata

Obscure Bird Grasshopper shaded by the leaves of Turks cap.

Palpada vinetorum is a species of syrphid fly in the family Syrphidae.[1][2][3][4] It is a native flower fly species to North America, mainly found in Texas and parts of the east coast and fall obedient plant.

A pipevine swallowtail or Blue swallowtail laying eggs on a dried leaf of a red salvia. .

Battus philenor, the pipevine swallowtail or blue swallowtail and a morning glory vine.

Gulf fritillery butterfly and a passiflora incarnate

Dolba hyloeus (pawpaw sphinx) is a moth of the family Sphingidae and a fall obedient bloom.

Follow up post coming soon

Female common Whitetail skipper and a dried stem of a Rosin weed sunflower.

Leafcutter native bee and frogfruit.

Spiderweb that and dew . Does the quenching dew lure prey into the spiders web. I see a relationship between the spider and Earth’s closed water system.

Eastern carpenter bee and a rotting tree.

Eastern carpenter bee building a nest in a rotting wood.

Leafcutter bee and blanket flower.

Leafcutter bee with a petal of a blanket flower Gaillardia pulchella. They use the petals to build their nests.

American toad And Earth’s closed water system.

American toad out for a stroll during the rain.

Plushback fly and Salvia azure.

Another species of leadcutter bee cutting a bllanket flowr petal.

Swallowtail butterfly and white veined morning glory.

Swallowtail butterfly depositing an egg on white veined morning glory. Follow up post coming soin.

Jumping spider and fall obedient plant.

Plushback fly and blue salvia

The relationship between rainwater or dew and plants is a crucial part of any ecosystem. In this case the few is is on a stem of crabgrass. If you run your fingers down the stem you will notice the texture that slows water from running off it's surface too fast.

Dew and stems

Carpenter bee and Salvia azure

I have noticed that plant material on the edges of symbiosis stops garbage from blowing from the convenience store. I see this as another way plants are in partnership with our various ocean.

Anole safely camouflaged in the chaotic lines of the vines mixed with a diversity of plant stems.

Juvenile mocking bird on a dead olive tree branch. I saw about six of them hiding in the American beautyberry after the rain. Now that the installation is a year old, it is getting height and layers. This added heights provides the birds with more protection, berries and perches for hunting small prey.

Stink bug on American beauty very.

Carpenter bee getting a back rub wile collecting nectar and pollen on a purple passion flower.

Sunlight nesting in Rattlesnake master.

?

Subtribe Hesperiina And milkweed.

Subtribe Hesperiina And frogfruit

? Bee on Rattlesnake master

roseate skimmer and fall obedient plant.

Skipper on bloom less salvia stem.

New World Checkered skipper and everybody’s buddy frog fruit.

Sor ies of fly sleeping in butterfly faea Bush.

Ragweed

Why we shouldn’t rag on ragweed? The seeds of ragweed are rich in fatty oils. Fats are not only Ebut also is for fattening up birds and small mammals such as Eastern Cottontail, Meadow Vole, grasshoppers which eat the leaves, Dark-eyed Junco, Brown-headed Cowbird, Northern Bobwhite, Purple Finch, Mourning Dove, American Goldfinch, and the Red-bellied Woodpeckers to get them through the lean winter months.

It is an ancient grain for humans and ragweed is a valuable food source for the caterpillars of many butterflies and moths including the striking wavy-lined emerald and the uniquely adapted bird dropping moths. The seeds of ragweed are rich in fatty oils. Birds and small mammals readily consume ragweed seeds to help fatten up for the lean months to come.

Ragweed

Rosinweed sunflower bloom and spider.

Tiny spent sunflower bloom/seed head-the colors - suttle and faded, still rich and deep. The shapes of the seeds as they dried ❤️ The beauty of the natural world when you stop and look. I studied this dried object probably 4 minutes turning it in my fingers watching the white blooms from the crepe myrtle attached by the thread of a spider and then turning it over hiding underneath- a creature. As we enter the Anthropocene, saving insects is a priority in “Symbiosis.” When I edit out any materials such as this elegant, delicate, dried Rosinweed sunflower head from the garden, I do not bag them and put them in a trash can. I chop and drop. This tiny spider is evidence that chopping and dropping not only builds soil and saves money it also saves insects.

That Was Then This is Now.

July 2020 - the sculpture garden as it was when Stephanie and I first discussed the project.

February 2021. After the Texas freeze

May 2022 - 12 months from installation.

I ❤️Aphids and what insects tell us.

I Leave aphids be. It may look alarming but It is a necessary step in regaining a balance of good bugs and bad in "Symbiosis". I am looking forward to see which beneficial insects show up to help the planet manage the aphids. Aphids feed through a needle-like mouthpart. After they insert their mouthpart into a plant's tissue, they then use it like a straw to suck out plant juices. The do not kill the host plant. Aphids aid benefical bugs they are food for thousands of different species of predatory insects. As protein Aphids help build a broad diversity of beneficial bugs in nature.

Land Art vs Living Sculpture

Land art or earth art has paved the way for what I hope will become a new art movement.

The Tate defines Land art or earth art as the art made directly in the landscape, sculpting the land itself into earthworks or making structures in the landscape using natural materials such as rocks or twigs. With the Tate's definitions, Symbiosis is land art, a part of the conceptual art movement, and environmental art.

What separates Symbiosis from these traditional classifications of art are the concepts I apply to my creative decision-making process and the materials I use support and regenerate life. It values all living creatures as participants in the creative process.

My process for creating a living sculpture involves holistic decision-making. First, I incorporate a systems thinking approach to create a functional balance between the healthy ecosystem, human economics and societal landscape norms. For example, contemporary landscape designs are structured in monocrop rows or groupings separated with bare earth. To maintain the manicured design, weed-killing chemicals and gas-operated mowers and edgers are the most economical. This lack of plant diversity, geometric-in-shape groomed plantings, and chemical inputs make these landscapes uninhabitable for a diversity of wildlife other than a few lizards. For many valuable insects and microorganisms, the inputs are deadly. These designs do not consider supporting the food chain necessary in a healthy ecosystem. In Symbiosis, I keep the ground covered with a diversity of plantings that drift in and out of each other and with the seasons; this provides camouflage from predators, nesting materials, and a variety of nourishment all year. Weeds fit into this landscape and help build the microorganisms and structure or armature in the soil. This less structured planting design is balanced with a classical symmetrical layout. Symbiosis is designed to build the food chain. The maintenance required is easily accomplished with handheld clippers. The clippings are put back into the garden to decompose by insects and natural systems that build the soil health and retain water and carbon, or into a vase to be enjoyed. Ultimately Lawndale benefits economically through lower maintenance, chemical inputs, and utility costs, while enjoying a toxin-free environment—living sculpture.

I use materials that support plants and wildlife specific to the site's ecological history. I begin with a water source, animal waste and decaying plant materials native to the area. These materials build habitat and nourishment for microorganisms in the soil, in the water feature and up the food chain to sustain each other in extreme Texas weather. When combined with our clay soil they: store carbon, cool and return water to the aquifer, support life beneficial to humans and keep harmful pests at bay. In addition, they assist in cleaning the air, slowing rainwater, and reducing land erosion.

For example, I have created symbiotic relationships between humans, mosquitos, dragonflies, fish, and chemical-free water. In a hot environment, animals need a freshwater source to drink and reproduce. I installed a small pond without a filter or pump. Using plants to filter the water, I utilize the eating and waste habits of the Texas Mosquitofish to control the algae and build the water's biology. Mosquitos and dragonflies are attracted to still water with a balance of healthy bacteria and algae to deposit their larvae. The larvae become protein for the fish. Attracted by the water source, the dragonflies hover above the garden and on dried plant materials hunting mosquitos, supporting human health. Lawndale benefits economically by not utilizing an electric pump, needing a mosquito misting machine or pesticides and enjoys the beauty of the water feature and a kinetic, ephemeral rainbow of dragonflies hovering and darting over the living sculpture.

In Symbiosis, as the lower food chains develop, it begins to regenerate life and recover what is lost. Perpetual, it is art for now and future generations. In a living sculpture, the ways to evaluate it are space, shape, line, color, texture and regeneration.

I submit below images and descriptions of symbiotic relationships, ephemeral parts of the installation from April 2021-April 2022.

Land art perspective of Symbiosis. Aerial view of Lawndale garden. Image by Nash Baker.
Gulf fritillary

Gulf fritillary caterpillar on a consumed passionflower vine Passiflora Incarnata.

Lady bug pupae on a mile a minute vine.

Dung loving birds nest fungus

Gulf Fritillary butterfly on rosin weed sunflower. It roots can extend 16’.

image by Nash Baker courtesy of Lawndale Art Center

Black Swallowtail (Papilio polyxenes) on Monarda citriodora lemon beebalm image by Nash Baker courtesy of Lawndale Art Center.

Gulf fritillary butterfly on Gulf verain Verbena xutha image by Nash Baker courtesy of Lawndale Art Center

Battus philenor a pipevine swallowtail

Gulf fritillary on Rudkeckia hirta

Long-tailed skipper Urbanus proteus on Salvia azure

Junonia coenia the common buckeye butterfly on a blanket flower Gaillardia puchella with dew drops.

Black Swallowtail (Papilio polyxenes) on scarlet sage Salvia coccinea.

Gulf Fritillary butterfly on purple cone flower

Red arrow Rhodothemis lieftincki on dead olive tree limb.

Mosquito control and water source for winged species.

Past bushy blue stem and Seaside Golden rod. I leave them through March so the winds can spread their seeds to other gardens, and to provide shelter for birds, tree frogs, toads, and field mice.

Plathemis Whitetail Skimmer

Mosquito control and water source for winged species.

Past bushy blue stem and Seaside Golden rod. I leave them through March so the winds can spread their seeds to other gardens, and to provide shelter for birds, tree frogs, toads, and field mice.

White skipper and blanket flower

Brown skipper and

Brown skipper and Rudbeckia hirta

Symbiosis - Pollack

When I study the areas of the work that visibly support the most wildlife in Symbiosis I often think of the the most notable works of Pollock. I am presently reading The Extended Mind by A.M. Paul. In the chapter on thinking in natural spaces she wrote. - “Nature changed Pollocks thinking - gently tempering his raging in-tensity- and it also changed his art. In New York, Pollock worked at an easel, painting intricate, involved designs. In Springs, where he worked in a converted barn full of light and views of nature, he began spreading his canvases on the floor and pouring or flinging paint from above. Art critics view this period of Pollocks life as the high point of his career, the years when he produced "drip painting" masterpieces like Shimmering Substance (1946) and Autumn Rhythm” the extended Mind by A.M. Paul. I often see Pollockness in “Symbiosis”. This images especially reminds me of his Autumn Rhythm. In “symbiosis” it is winter shelter. This scarlet sage was damaged after the freeze.

Symbiosis- scientific research that support the living sculpture.

“All is not doom and gloom, though, according to Dr Rodger. Many plants are long-lived, opening a window of opportunity to restore pollinators before plant extinctions occur from lack of pollinators.”- First global estimate of importance of pollinators for seed production in plants

Symbiosis4.5 cubic yards of compost ( living organic material), 200 plus Texas Native plants installed to support the return of Houston’s urban wildlife. Summer 2021 Image by Nash Baker

Symbiosis

4.5 cubic yards of compost ( living organic material), 200 plus Texas Native plants installed to support the return of Houston’s urban wildlife.
Summer 2021

Image by Nash Baker

Symbiosis - where are the birds?

For several weeks I have noticed the neighborhood birds are not stopping into Symbiosis. I have asked the neighbors and they have noticed the birds were absent too. Today an article came out in the Houston chronicle, Songbirds Take a Break.

March 19th - first bird in garden. An Amerucan red robin foraging for insects, bugs, protein or seeds, poking it's beak into the newly installed living compost.

March 19th - first bird in garden. An Amerucan red robin foraging for insects, bugs, protein or seeds, poking it's beak into the newly installed living compost.

March 31, 2021 robin hunting for grubs as I install the American beautyberry.

March 31, 2021 robin hunting for grubs as I install the American beautyberry.

April 9, 2021 robin on the oak stump. I installed rotting native tree stumps to give the birds a camouflaged lookout and hideout.

April 9, 2021 robin on the oak stump. I installed rotting native tree stumps to give the birds a camouflaged lookout and hideout.

April 9, 2021 dove

April 9, 2021 dove

May 22, 2021, blue jay - it is the only day I saw a blue jay through 9/11/2021. This is the best photo I was able to get.

May 22, 2021,

blue jay

May 1, 2021 American red robin

May 1, 2021 American red robin

June 19, 2021 sparrow with a Gulf Fritillary caterpillar in it's beak.

June 19, 2021

June 22, 2021

June 22, 2021